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 | “Good Kurds” are those in Iraq” they’re Saddam Hussein’s victims, whom we want to help. “Bad Kurds” are those waging an armed insurrection against Turkey, an American Ally: they’re at the receiving end of U.S. weaponry. |
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 | Said to be “…a remarkably accessible and haunting film” (Maitland McDonagh, TV Guide), “Beyond The Ocean” is a story about a young pregnant woman from Russia who arrives in New York City seeking her boyfriend only to discover that he has abandoned her. |
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 | Wolves in the Snow begins with the news that Antoine has been cuckolding Lucie for years. A violent marital argument ensues resulting in Antoine’s death. After lying about Antoine’s whereabouts, Lucie discovers his secret life of gangsters, money laundering and violence. Followed, threatened and badgered by the gangsters, Lucie becomes trapped by her deceit. The body of Antoine disappears, other corpses appear, and the money, very quickly, becomes only the pretext of an alarming turn of events, in which Lucie learns how to lie, to live, and perhaps also to like. Wolves in the Snow is an intense drama set against the backdrop of Montreal
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 | Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning insidd a rustic house with a women in black (Mirjana Karanovic) standing beside her husband's coffin, Whitnesses interweaves the stories of a small town confronting ethnic hatred and deep moral abbiguities.
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 | The heart of algiers, the Winter of 2003. Three women: a mother, her daughter, and a prostitute have been living in a hotel n the center of town amid creeping fundamentalism. Goucem, the daughter, has chosen a modern, emancipated life, spending steamy weekends in nightclubs. Fifi, her faithful friend, prostitutes herself under the thumb of a local protector. Papicha, the mother, eats pizzas infront of the television, torn between fear and nostalgia. Known in Europe as the 'Algerian Almodovar,' Mokneche weaves a richly drawn portrait of women exiled in their own country.
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